كتابة النص: الأستاذ الدكتور يوسف أبو العدوس - جامعة جرش قراءة النص: الدكتور أحمد أبو دلو - جامعة اليرموك مونتاج وإخراج : الدكتور محمد أبوشقير، حمزة الناطور، علي ميّاس تصوير : الأستاذ أحمد الصمادي الإشراف العام: الأستاذ الدكتور يوسف أبو العدوس
فيديو بمناسبة الإسراء والمعراج - إحتفال كلية الشريعة بجامعة جرش 2019 - 1440
فيديو بمناسبة ذكرى المولد النبوي الشريف- مونتاج وإخراج الدكتور محمد أبوشقير- كلية تكنولوجيا المعلومات
التميز في مجالات التعليم والبحث العلمي، وخدمة المجتمع، والارتقاء لمصاف الجامعات المرموقة محليا واقليميا وعالميا.
المساهمة في بناء مجتمع المعرفة وتطوره من خلال إيجاد بيئة جامعية، وشراكة مجتمعية محفزة للابداع، وحرية الفكر والتعبير، ومواكبة التطورات التقنية في مجال التعليم، ومن ثم رفد المجتمع بما يحتاجه من موارد بشرية مؤهلة وملائمة لاحتياجات سوق العمل.
تلتزم الجامعة بترسيخ القيم الجوهرية التالية: الإلتزام الإجتماعي والأخلاقي، الإنتماء،العدالة والمساواة، الإبداع، الجودة والتميّز، الشفافية والمحاسبة، الحرية المنظبطة والمستقبلية.
يحمل شهادة الكتوراة تخصص لغة عربية من جامعة اليرموك سنة 2013
اسم الجامعة: جامعة جرش
التخصص العام: بكالوريوس اللغة العربية وآدابها
التخصص الدقيق: اللغة العربية وآدابها
سنة التخرج: 2007
التخصص العام: ماجستير في اللغة العربية
سنة التخرج: 2009
اسم الجامعة : جامعة اليرموك
التخصص العام: دكتوراه في اللغة العربية وآدابها
التخصص الدقيق: اللغة العربية/ الأدب والنقد
سنة التخرج: 2013
This study seeks to focus on the poetics of the artistic imagery of "Abu Hamza Al-Shari Al-Kharji", and to show what his speeches included in terms of artistic images. It concluded that his artistic images relied on a variety of methods, such as: metaphor, personification, embodiment, as well as analogy. It is noticeable that the images are derived from the surrounding environment and from ancient Arab life. The study consisted of an introduction and a preface which deals with the concept of poetics, linguistically and idiomatically, as well as poetics in ancient and modern times. The most important opinions of the ancients and modern scholars about it were presented. It also consisted of four chapters, the first dealt with imagery and the views of the ancients and modernists towards it, the second talked about the artistic imagery and imagination, the third was about rhetoric in the Umayyad era, and the fourth dealt with the artistic imagery of Abu Hamza Al-Shari. It ended with a conclusion in which the most important findings of the study were summarized. Finally, sources and references that were used in the study were listed. Keywords: Poetics; Artistic Imagery; Imagination; Abu Hamza Al-Shari Al-Kharji.
AbstractThis research aims to study vision and formation in the poetic story in the Arab world; due to its rapid spread in the literary arena and the unrecorded demand of writers without knowing its formation and visions; The lack (financial) of identification contributed to understanding what the poetic story is, and some social networking sites that publish everything written by writers without following the standards of publication. So we could not identify the good texts from the bad texts. This necessitated the researchers to study some texts to clarify the most important components, characteristics and technologies that must be available in the text to have the characteristics of the poetic story to have a clear cut between this literary type and other types close to it.Keywords: Poetic story, vision, formation.
This study seeks to reveal the main connotations of place in the poetry of al-Rusafi al-Balansi al-Andalusi, represented in the psychological connotations that revolved around: the connotation of longing and nostalgia for some places related with memories of childhood and youth, as well as emotional places full of love, warmth, and reassurance that are also filled with emotional and spiritual pressure.The study also presented the social connotations of the place in the poet’s poetry, which reflected the nature of the social relations between people and the standard of living of some groups of society at that time.The study attempted - in the beginning to clarify the importance of place in relation to the literary work, then the research began to study the manifestation of the most important connotations contained in the poetry of al-Rusafi al-Balansi al-Andalusi, which are the psychological and social connotations.The study adopted the descriptive analytical method to reach the results noted in the conclusion, the study was then concluded with a list of sources and references from which it benefited.
For the majority of critics, Maqama is the purpose and the finished product of the industry in the language of artistic prose, and it represents all forms and arts of prose and compositional writing. Badi` al-Zaman al-Hamdhani is considered the founder of this literary genre, in which he collected a number of other literary genres, such as anecdotes, news, proverbs, etc. Until these maqamat became an art that many authors and writers cared about and tried to imitate in their works, such as the Maqamat of al-Hariri, al-Suyuti, and others. This research aimed at highlighting these representations, as they show the role of Al-Hamdhani and his effort in presenting the mature and developed art of the Maqama; as such, he was the pioneer of this art, even if this was preceded by some examples that did not amount to being an independent literary genre; however, it became an art with its own rules, foundations, and components as a literary genre that was not known to its predecessors thanks to al-Hamdhani. The examiner of these Maqamat finds the literary genres present from one work to another, which enables the literary critic to track the clear genre-specific characteristics. Also, when we observe the way in which al-Hamdhani writes his Maqamat, we find that he goes beyond literary genres without neglecting them. Moreover, The literary genres share the denominations with all other genres of prose. So (Badi’ al-Zaman al-Hamdhani) represents other literary genres in his Maqamat without eliminating their boundaries, so that the critic would be able to identify the prominent genre-specific characteristics, and to identify the places and positions in which (Badi’ al-Zaman) crossed the boundaries of the literary genre without eliminating it. Al-Hamdhani represented the various literary genres in his Maqamat, as there was a fine line separating these genres. Furthermore, the Maqama was able to integrate many literary genres and present them in a new model (as a Maqama), just like the modern novel. Al-Hamdhani was able to create a relationship between poetry and prose in his Maqamat, and he was able to implement them in various ways and methods, which he developed in his own style to be consistent with the prose material, in the form of a discourse between two literary genres: poetry and Maqamat, revealing an important and vital aspect of the nature of the relationship between genres and literary types to us, and the possibility of their overlap through technical processes mastered by the author. Poetry was implemented and represented in almost all of his Maqamat, so poetry was either composed by famous poets who memorize their poems and mention their names from different eras and times. In the Maqama, poetry has many functions, as it might have a deceptive, narrative, describtive, or critical function. In addition, the Maqama was able to Introduce news, stories, stories, etc. Implementing the Maqama for the various literary genres expresses the strength, skill, and breadth of the author's knowledge, as he implements them artistically and semantically. al-Hamdhani was aware and a master in integrating different literally genres in his Maqamat to serve their purpose, while preserving the fine line which separates each one of them. As such, Literary elements became essential elements in the Maqama and not independent genres. The study aimed to identify the artistic features of literary genres that are similar to the Maqama, as well as presenting Badi' al-Zaman al-Hamdhani's implementations of literary genres in his Maqamat, in addition to some themes that were prevalent in Arab society during the fourth century AH. The researcher used the analytic descriptive approach to obtain accurate results.
This study dealt with the theme of the women in the poetry of Al-Mu'tamid ibn Abbad. It focused on the theme of the woman, the wife, and the slave girl because they were the most prominent and important themes that the poet presented in his poetry. It consists of: an introduction, two chapters, and a conclusion in which the most important results of the study were mentioned, followed by the list of sources and references which the study referenced from. The study used the descriptive, analytical approach to reach its results; the most prominent of which are: Women were the most important motives that evoked the feelings of: joy, happiness, pleasure, pain, sadness, and sorrow in the heart of the poet. The artistic structures of the poems that were studied resemble a poetic experience and a sincere emotion in terms of vocabulary, structures, and themes.
The poetic image is an important component of the building of the poem, especially the modern one. Its importance stems from the aesthetics it adds to the Poetic Composition, what it possesses of suggestive and exciting energy, and the impact it leaves on the recipient This research dealt with the poetic image presented by the poet Lina Abu Bakr, it started with an introduction that talked about the definition of the image and its importance, and followed it with two axes: the sources of the poetic image and included the inheritance of all kinds: religious, historical and literary, then the environment with its living types, which included (human, plant, and animal) and non-living, which included (light, water, and soil). The second axis dealt with the types of poetic image: (singular, compound, and holistic), the research ended with a conclusion stating the most prominent results that he reached. In the research, the descriptive-analytical method was used with the help of other methods as required by the research.
This study seeks to clarify the figurative images (simile and metaphor) in samples of Prose Signing Quotations in the Abbasid era. These images – in the course of the study - reflect the feelings, emotions and sentiments of the sender on the one hand, and the feelings, emotions and sentiments of the addressee on the other hand, as well as the environment producing them: political, social and economic on the third. This study was divided into: An introduction: - it included the importance of the figurative image, the importance of the study, its objective, and the reasons for accomplishing it, its approach, its limits, and the previous literature. A preface: introducing of the definition of Signing Quotations in language (Arabic) and convention, and its types and most important features. Two sections: the first was about simile. The second was about metaphor declarative and intent (alistiea'ra alttasryhya walmkny). It was followed by the conclusion that documented the most prominent results reached by the study. The study was ended by a list of sources and references that it benefited from.
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